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A Man for All Seasons

A Man for All Seasons

Regular Price $19.94

Starring: Paul Scofield,  Wendy Hiller,  Leo McKern,  Robert Shaw,  Orson Welles, 
Directed By: Fred Zinnemann, 
Rated: G (General Audience)
Release Date: 1966
Studio: Sony Pictures
Format: Anamorphic,  Closed-captioned,  Color,  DVD-Video,  Full Screen,  Widescreen,  NTSC, 


Editorial Reviews and DVD Information about A Man for All Seasons

Amazon.com essential video
Robert Bolt's successful play was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make A Man for All Seasons, as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint." Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savoring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton

Amazon.com
Robert Bolt's successful play was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make A Man for All Seasons, as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint." Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savoring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton

Stills from A Man for All Seasons (click for larger image)




Beyond A Man for All Seasons at Amazon.com


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Customer Reviews for A Man for All Seasons

A Show For All Seasons
An excellent movie with, what has to be, one of the best cast of actors in a critically acclaimed success. This film not only provides the audience with great visual backgrounds, a solid script, off the chart actors, but also provides a message that one could only wish were true today. A film to watch and then watch again.A Man for All Seasons

ONE OF THE BEST MOVIES EVER MADE!
Paul Scofield played Sir Thomas More exceptionally well in this movie, recreating his award-winning role from the theatre. It is well shot, well directed, well casted, well scripted. It is no wonder this movie swept the Academy Awards in its day, not to mention so many other awards! There are too many to mention. Back in the 1960's, the Academy Awards were still somewhat legitimate, willing to consider real movies, real acting, real direction, and real subject matter. This movie, made the way it was made, and considering its subject matter and viewpoint, would be ignored today as though it didn't even exist! Sad, because this reflects true history, and not some falsified or idealized version of history. It reveals the true character of an honest, decent, truly Good man up against growing leachery, tyranny, intrigue, and corruption in high places. So many today like to think that Henry VIII was a great reformer, a great liberator, a great innovator, and such. But history, and this film, are not on their side. He was unstable, self-centered, egotistical, and personally corrupt, and these failings led to not only the destruction of the Church in England, but to the destruction of England itself, and the general world as well. When evil is allowed to destroy the good in society, at the expense of the good, purely for the enrichment or gain of the evil, EVERYONE suffers eventually, and not only the object intended for destruction. England has never been the same since, and neither has the rest of the world. Colonialism, expansionism, secularism, even socialism have their origins in times such as this. The movie, in effect, is about more than Sir Thomas, Henry, and the few characters focused on in the script. It is really a glimpse into what happens beyond -- what is coming next. When personal evil is given right of way, if it isn't stopped soon, it expands to a point that stopping it may not be possible. It becomes like a pebble dropped into a pond. True history buffs should appreciate this for what it really is. The best movies are not fiction, they are true history.

R. English, 1 September 2008A Man for All Seasons

Academy Award winner, for good reason
Paul Scofield gives a stellar performance as a man whose ethics and principles trump even his regard for his life. Mr. Scofield plays Thomas More, King Henry VIII's close friend and confidante. But when the King virtually begs Sir Thomas for his acquiescence to a divorce from Queen Katherine so that he may "legitimately" marry the coquettish Anne Boleyn, Sir Thomas, an ardent Catholic, refuses. Locked in the Tower of London and ultimately deprived even of books to read, Sir Thomas refuses to relent, ultimately paying for his principles with his life. Wendy Hiller, a brilliant stage actress is superb as Sir Thomas' wife, and it would be difficult to find a more convincing King Henry than Robert Shaw. For the collector, this movie is a mustA Man for All Seasons

Do not rent this movie, OWN it.
This Academy Award winning movie is a miracle. Fred Zinnemann's cinematic treatment of the play by Robert Bolt has a quality of luminous economy. The casting is amazing. Every member of the cast is just right, from Paul Scofield as Sir Thomas More and Dame Wendy Hiller as Lady Alice all the way down to those cast as the Thames river boatmen, the messengers, the jailers at the Tower and the big lab who played the More's family dog.

The costuming and settings in the movie are perfect, a huge departure from the costuming and makeup of other historical movies produced in the fifties and sixties. Another perfectly rendered component of A Man for All Seasons is the soundtrack. It is sparse and beautiful and truly evokes the historical period surrounding the events that lead to the split of the English Church from Rome and the subsequent execution of Sir Thomas.

Although this movie was not made to inspire in a religious sense, it is one of the best hagiographies ever made in any medium. It is, after all, the story of a man who is now a canonized Saint of the Catholic Church. More importantly, it is a well-told story with grace abounding everywhere. The opportunities for all the characters to respond to grace seem suspended in time, the choices still waiting to be made, as if time and history have been detained so we can see what they choose to do. King Henry, the Duke of Norfolk, Richard Rich, Lady Alice, Matthew, Margaret, Cromwell ... all of them ... choosing. One of the most exquisite and heartrending scenes in the movie is the foreshadowing of the choices Henry makes -- looking up from his immediate surroundings at his wedding to Anne Boleyn and thinking he sees Thomas (whom he loves and trusts) entering the hall with a group of men. You can almost see the two-fisted thrusting away of the grace of the moment when he realizes the man is not Thomas, and that Thomas will not and cannot endorse his marriage.

Spoilers abound in the Lives of the Saints, June 22, the Feast of Sts. Thomas More and John Fisher. This movie, in my opinion, is a far better way to learn about a man who walked this earth and was remarkable in his love and compassion in imitation of Christ (and he was a lawyer!) Folks of a secular bent will not find much to complain about, either, as the movie is so well done and has no moralizing or melodrama.

A Man for All Seasons is not a movie to rent, it is a movie to own. I have already owned two VHS tapes and 2 DVDs and will probably have to buy it at least once or twice more in my life.



A Man for All Seasons

SADLY, THEY DON'T MAKE THEM LIKE THIS ANYMORE
I don't mind recent Oscar winners with their complicated characters and bizarre situations (see Crash, The Departed, etc.) but it's nice to see a movie like A MAN FOR ALL SEASONS and remmember a time when the academy rewarded movies about deep, congruent, inteligent men. A truly great one for sure.
The movie does feel a little dated regarding hair styles (very 60s!) and customs (you can easily tell they have never been worn until right before the movie was shot) but the performances and screenplay are simply fantastic. I read somewhere that Steven Spielberg hired Robert Shaw for JAWS after seeing this movie and it's easy to notice a similarity in his work on both films.
Truly terrific !A Man for All Seasons

 
 
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