Regular Price $24.95

Starring: David Hockney,  Peter Schlesinger (II),  Celia Birtwell,  Mo McDermott,  Henry Geldzahler, 
Directed By: Jack Hazan, 
Rated: NR (Not Rated)
Release Date: 1974
Studio: FIRST RUN FEATURES
Format: Closed-captioned,  Color,  DVD-Video,  NTSC,  Widescreen, 

Editorial Reviews and DVD Information about A Bigger Splash

Product Description
One of the strangest, most original and visually provocative films, A BIGGER SPLASH is a "captivating, shimmeringly beautiful" film (L.A. Times) featuring British artist David Hockney.
1971: David Hockney is well on his way to art world super-stardom. Filmmaker Jack Hazan, camera rolling, follows Hockney from London to New York to Los Angeles- capturing the artist as he struggles to create what would prove to be some of his most enduring works: those featuring Hockney's model and lover, Peter Schlesinger.
Straddling the boundary between documentary and fiction, A BIGGER SPLASH tells the story of Hockney's breakup with Schlesinger and its effect on Hockney, his work, and his close circle of friends. Originally banned for a notorious scene of homosexual intimacy, this award-winning film, "at once precise and dreamlike," is a unique document of a time and place, a lifestyle, and the artistic process, unlike anything made before or since.

Customer Reviews for A Bigger Splash

A Docu-Drama of A BIGGER SPLASH
A Bigger Splash
This is one of those very rare docu-dramas that came out of the experimental 70s in the film making industry that really left the Movie World with a real Classic. The director actually followed the artist and associates around for 31/2yrs, filming them. They then took this and blended some fictional dramatic framework to create this Classic film. It must be noted here that the explicit love scene in this film created total chaotic controversy whenever shown in its time!! The artist was very surprised and somewhat shocked by the overall movie! A STORY CAN BE LARGER THAN LIFE!!!A Bigger Splash

The Splash Could Have Been Bigger
Jack Hazan followed the artist David Hockney around from 1971 to 1973 filming this quasi-documentary about him. A very young and slim Mr. Hockney-- he would have been 34 I believe in 1971-- comes across as witty and interesting. Some parts of this 90 minute film are quite wonderful, particularly where the artist talks about his art or when we actually see him painting. There are also fascinating scenes where the subjects of his paintings actually merge into their life-sized portraits as life imitates art. The footage of the swimming pools looks like the paintings that figure prominently in the movie, particularly "Portrait of an Artist (Pool with Two Figures)." There is much made of the bright blue color that Mr. Hockey seems to be so fond of, complementing his work as well. Images are often repeated, giving the film a pleasing symmetry.

Not everything works so well, however. The director would have us believe that Mr. Hockney is having difficulty completing a painting because he has just broken up with its subject and his lover, Peter Schlesinger. The artist, who according to the accompanying notes to the DVD, was upset when he saw the finished documentary, indicated that the breakup was not a factor in his slow work on the painting. Also often the people just engage in dull conversation about not much in particular. Some of the dialogue could have been cut without hurting the finished film at all. Much is made about whether Mr. Hockey will return to California or to New York, et cetera, et cetera. One person repeats two or three times that "when a love goes wrong, there are more than two people who suffer." Okay. Then there is a rather explicit sex scene between two men that does not add much to the overall excellence of the movie.

This film will appeal most to hardcore fans, particularly the footage that gives a glimpse into Hockney's creative process. I came away from the movie agreeing with the extremely private novelist Eudora Welty, who believed passionately that one should concentrate on the work of the artist, rather than so much the details of his or her life.











A Bigger Splash

Self-indulgent is an understement
This movie is just awful. I have read the other reviews here. All I can say is, if you appreciate Hockney's work, find a way to really look at it.
This certainly isn't it. If you feel you just have to see this because you'll do anything "Hockney", do yourself a favor and rent the thing.A Bigger Splash

I liked it.
It is not true that the film made a horrible transfer to DVD. The quality is wonderful, especially for a film that was made in the 70's. In fact, I'd say it was a labor of love for whomever processed the original prints. This is a film about David Hockney so there's no chase scene. I can only speculate that since he is an artist, and artists are a little different from the rest of us, this film is a little different from what you might expect. I think Peter Schlesinger is very pretty and I would like to have gotten to know him better but the film never peers into his personality, and I think that is intentional. I find David Hockney much more attractive in that he is warm, funny, artfully clever, and human. Whether you buy it or rent it, I think you'll get something out of it if you want to know something about David Hockney.A Bigger Splash

Some Insights into the Creative Process of David Hockney
Jack Hazan's quasi-documentary A BIGGER SPLASH is an unfocused examination about the creative life of David Hockney and supposedly about the effect of his past relationship with his pupil Peter Schlesinger (an artist, sculptor, and photographer who Hockney not only enjoyed as a lover but as a disciple). The précis appears to be that Hockney, in the throes of disappointment about the dissolution of his affair with Peter, decides to move to California where he has already been established as a painter of California people and places.

In London we meet his friends - Celia Birtwell, the elegantly stylishly beautiful model Hockney used repeatedly, dress designer Ossie Clark, confidant Mo McDermott, and patron Henry Geldzahler - each of whom Hockney painted and drew. We watch as Hockney visits the galleries and admires works of his friends, how he paints in his studio, how he relates to his gallerists (like Paul Kasmin), and how he perceives men and other artists.

Peter Schlesinger figures prominently in the film with many episodes of Peter's swimming in the pools of the people Hockney would eventually immortalize. He is a fine presence and carries his silent role well - almost appearing as a ghost muse that keeps Hockney focused on his now infamous swimming pool paintings.

The magic of this film, for those to whom Hockney is a well known and important painter, is the visual recreation of the paintings that have made him so famous: we are allowed to see Celia and her husband with white cat in context with the canvas, the view of Peter staring into the pool at an under water swimmer, the woman and her animal heads who appears in another of Hockney's famous paintings at poolside, etc. This kind of cinematic background is valuable now and will prove invaluable to the archives of David Hockney. For those people this is a must-see film, despite its meandering technique and choppy editing. For others, it may seem too self-indulgent. Grady Harp, August 06A Bigger Splash