Editorial Reviews and
DVD Information
Description
Gripping human drama. Sumptuous period epic. Glorious celebration of the music of Wolfgang Amadeus Mozart. This marvelous winner of eight Academy Awards(R) portrays the rivalry between the genius Mozart (Tom Hulce) and the jealous court composer (Best Actor Oscar(R) Winner F.Murray Abraham) who may have ruined Mozart's career and shortened his life.
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A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The structure of the picture is otherwise unaltered. The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker
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Customer Reviews
Excellent!
This thoroughly enjoyable, pneumatic movie tells the story of Mozart's rise-and-fall on the music scene in 18th-century Austria. Told in flashback form from the point of view of musical rival Antonio Salieri, it covers with a broad hand the more salient points of Mozart's life, and dispenses with historical accuracy for a more expressive and emotionally communicative feel.
The acting's of a very high standard, with F. Murray Abraham giving a committed, layered and impressive performance as the jealous Salieri - not overshadowed by Tom Hulce's flashy, deceptively superficial turn as Mozart - which is a big deal, considering Hulce's performance is one of those show-stopping, scene-stealing turns that you don't really see anymore. If Abraham won the Oscar for this, then Hulce, for his part, is fantastic at portraying the decadence and the fevered genius behind the screenplay's reading of Mozart's character, but also gives the man impressive depth and pathos, when necessary. These two principal actors are more than amply supported by the excellent Elizabeth Berridge as Mozart's plagued wife Constanze, Jeffrey Jones as Emperor Joseph II and a very young Simon Callow as Mozart's friend-and-colleague Emanuel Schikaneder. Also, a pre-pre-pre "Sex and the City" Cynthia Nixon does an excellent job in her tiny role as the Mozart family maid.
The behind-the-camera talents of director Milos Forman, art director Karel Cerny and cinematographer Miroslav Ondricek are the real stars of "Amadeus", though - the film's style is as operatic and fantastical as its treatment of Mozart's biography, and the tone and pacing of the sumptuous visuals lend a very palpable sense of doomed-genius-reaching-critical-mass to the film. There are no slow points, nothing is visually flat, and every detail and flourish imaginable has been crammed in - like the painted fantasies of Mozart's opera sets, "Amadeus", works beautifully as a baroque spectacle, and, 24 years after its original release, remains a testament to the creative genius of its crew. Mozart's operas are staged with a wisely underplayed sense of drama, furthering the viewer's connection with the more important driving forces behind their creation - the lives of those involved - and the visual feel of the movie is that of floating haphazardly through a chaotic swirl of decadence, art and high-octane drama.
I'm no big fan of classical music, and remain unconverted - but as an exercise in storytelling, "Amadeus" is a treat for any and all fans of solid, gripping films. It hits home runs on all the fronts it chooses to show you, and, while not an exhaustive or particularly accurate account, is a deeply engaging and thoroughly enjoyable piece of cinema. Highly recommended!
I LOVE THIS MOVIE!
Even though I typically only watch The Director's Cut of this film, this version is still good to have. For one, it's the original theatrical cut of the movie that was released back in 1984, second, it has a feature that the two-disc director's cut does not have: an optional isolated music-only track that plays along with the film. It's great because it features music that has never been included on any of the various soundtrack album permutations that have been released over the years.
Now, if Warner Bros. would just hurry up and blu-ray this sucker, everything will be good.
More historical accuracy would have done more justice to the movie
This movie was one of the best Hollywood has ever produced. I do not have to repeat the salient features one more time, as scores of reviewers already did that.
However, what disturbed me was this. This movie was based on historical facts. I am very sad to say that, the director, to elevate Mozart's greatness, went great lengths to put down Maestro Salieri to the extent that he showed Salieri having difficulty in composing a small welcome march to Mozart. That was the height of inaccuracy. No one becomes a court composer for nothing. Salieri did produce some of the great compositions of his time.
Based on Mozart's allegations of victimization, lot of research went in to find the truth behind them and found that Salieri was jealous but at no point he thwarted Mozart's chances of ascending into the greatness or gaining opportunities. In fact, the movie rightly portrayed that most of Mozart's financial problems, and missed opportunites were due to his lifestyle.
My point is this: Mozart would still stand great, and he was the best original musician the world has ever witnessed even when you set historical facts straight.
Solid
I found that the film was not at all as I expected- a staid Merchant-Ivory type production mixed with a hint of Masterpiece Theater. This was both good and bad. On the positive side is the very dramatic structure of the film, being told from Mozart's inferior rival's, Antonio Salieri's (F. Murray Abraham), point of view. On the down side is the over the top performance by Tom Hulce, as Mozart, especially with that pointlessly distracting guffaw. Also, as the DVD delineates which scenes were altered, extended, or added in toto, it becomes obvious that director Milos Forman's original cut was the superior, as none of the added scenes adds palpably to the thrust of the film. Yes, I liked the added scene of Mozart's wife, Constanze (Elizabeth Berridge), getting naked to try to sexually please Salieri, to advance her husband's career, for Berridge was certainly a major hotty with the body back then, but, despite my prurient interest, the scene is pointless.... Unfortunately, in either version, this is nowhere near a great film. It's a fun, solid romp, but the American accents and slang that infiltrate Eighteenth Century Viennese society are just too much, as is Hulce as Mozart. No, a staid portrayal of the man would have been dull, but a genius as idiot savant, or a step above, is not worthy of this dramatic treatment, either. That it only heightens Salieri's frustration is dramatically defensible, but since the whole notion of Salieri's envy and hatred of Mozart is a historical fiction, there really was no reason to go so over the top in the first place.
The rest of the cast does fairly well. Berridge as the clueless wife, Jeffrey Jones, as Emperor Joseph, is a dolt with a heart, who doesn't understand how to run his own life, much less a nation....All in all, I would recommend the film, but as a light diversion, not a serious inquiry in to art nor the artistic mindset. That film has yet to be made.
An Unforgettable Classic
Amadeus is a gripping drama based on the wonderful play by Peter Shaffer. This is an unforgettable film which explores the universal theme of mediocrity in the face of greatness. Antonio Salieri, (F. Murry Abraham), is court composer in the court of Emperor Charles of Vienna. He is loved by everyone and esteemed because of his musical creations. However, a new genius comes on the scene: Wolfgang Amadeus Mozart, (Tom Hulse). Salieri immediately recognizes the genius of this extraordinary man, although he is appalled by his brusque and uncouth manner. Salieri's admiration is surpassed by his consuming jealousy, and he will stop at nothing to destroy his rival. This movie brings into question the fairness of divine justice. Why are some people blessed with greatness while others have to struggle? Salieri angrily questions God as he prepares to exact revenge upon Him through abusing His instrument. "You say God is not mocked. I say: Man is not mocked!"
This film is truly exceptional! All of the performers portray their characters excellently, particularly Abraham, who won a well-deserved Oscar. The movie contains beautifully rendered examples of Mozart's work, and portrays the characters as human beings. We can all relate to these characters: Salieri, the mediocre and overlooked individual brings to mind all of our failures. Abraham makes us empathize with this despicable individual. Hulce makes us feel empathy for Mozart because we witness his fall from greatness into despair as a result of his poverty.
Please give this film a chance.
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Amadeus - Director's Cut (Two-Disc Special Edition)
at Amazon! |
