|
|
Regular
Price $9.98
Starring:
Jack Nicholson,
Hope Davis,
Dermot Mulroney,
Kathy Bates,
June Squibb,
Directed By:
Alexander Payne,
Rated: R (Restricted)
Release Date: 2002-12-20
Studio: New Line Home Entertainment
Format:
Anamorphic,
Closed-captioned,
Color,
Dolby,
DTS Surround Sound,
DVD-Video,
Subtitled,
Widescreen,
NTSC,
|
Editorial Reviews and
DVD Information about
About Schmidt
Description
Warren Schmidt (Nicholson) is about to taste a not so sweet slice of life. When he retired, he and his wife Helen had big plans, but an unexpected twist changed everything. Now, all of Schmidt's attention is focused his daughter's upcoming wedding to a loser waterbed salesman. From meeting hippie parents to sponsoring a Tanzanian foster child, Schmidt embarks on a search for answers...and discovers that life is full of trick questions. DVD Features:
DVD ROM Features
Deleted Scenes
Theatrical Trailer:Deleted Scenes - 9 scenes Woodmen Sequences Theatrical Trailer - 16X9 Widescreen More theatrical trailers from New Line: Unconditional Love I Am Sam Link to Original Website Childreach.org link
Amazon.com
While confirming Jack Nicholson's status as an American national treasure, About Schmidt is sure to provoke polarized reactions. Stoked by the success of Election, director Alexander Payne and cowriter Jim Taylor have altered Louis Begley's novel to suit their comedic agenda, turning Nicholson's titular character into a 66-year-old, newly retired Omaha insurance actuary, weary from decades of drudgery and passionless marriage. When his wife suddenly dies, he attempts to reclaim his life in a king-sized Winnebago, desperate to convince his daughter (Hope Davis) not to marry the Denver dimwit (Dermot Mulroney) whose mother (Kathy Bates) has her own baggage of peculiar peccadilloes. Nicholson perfectly (and often hilariously) nails the seething anger beneath his character's façade of resignation, but Payne and Taylor convey cold-hearted contempt for these Midwestern malcontents. Think of this as Ikiru with bleaker humanity, until Schmidt finds meaning--and some small reward--in a quiet gesture of goodwill. Love it or hate it, About Schmidt is a movie you won't soon forget. --Jeff Shannon
|
Customer Reviews for
About Schmidt
About a sad and lonely man
That's the way it is for many modern men in Warren Schmidt's position. He has just retired, his wife has died, and he finds himself lonely and not knowing what to do with himself or what his life has meant. Warren has a daughter he dotes on and she's about to marry a nice but goofy guy, so he travels to Denver in a Winnebago, having some adventures along the way. What holds this all together is his frequent letters to Ndugu, a small boy in Africa whom Warren has taken on as a foster child via ChildReach. And it's Ndugu's response which finally gives Warren a reason to go on living, at the very end.
Often sad, sometimes funny.About Schmidt
Neo-Existentialism made accessible
This was a good movie. It is entirely appropriate that it ended without a resolution, as this is what existentialism essentially says: There is no point, so there is no resolution.
The movie seemed a thematic mix of "Welcome to the Dollhouse" and "American Splendor." The characters bore resemblances of someone that we might know (Splendor) and the ending seemed to suggest "This may be as good as it gets" (Dollhouse).
If you a willing participant in existential discourse, then this is a good choice for a rental.About Schmidt
Brilliant acting, black humor, hard truths.
Nicholson nails this character, a man whose life is quite commonplace. He has done his duty. He has supported a wife and an only daughter. He is fussily punctilious about his job, and in that he takes some satisfaction. Then he retires and everything changes.
One by one the elements of his self-image are destroyed. He is not important at his job. He returns to 'help' his replacement, and is brushed off. His daughter lives in another city. His wife, whose steadfastly cheerful manner gets on his nerves, is someone which whom he no longer has any sense of connection. He idealizes his relationship with his daughter, and despises as unworthy the shifty and none-too-bright man she plans to marry.
Unhappy as he emerges into the emptiness of his retirement, and without insight into his lack of depth, lack of interests, and lack of any authentic sense of connection with any other human being, he watches television, flipping the channels. On impulse, while watching a commercial for a foreign-aid charity, he decides to "adopt" a foster son in Africa, and commits to send money monthly to the charity.
It is then that he reveals the bizarre degree of his alienation. He begins writing letters to this little boy, as if a child from another culture was in some way able to understand and relate to Schmidt's situation.
He has some serious shocks in store. First, he learns that his relationship with his daughter is not the simple and affectionate one he assumed it was. She resents that he has selected the second-cheapest coffin for his wife's funeral. She resents that Schmidt has asked for money from his wife's investments to buy a mobile home. His daughter dismisses his explanation, that his wife wanted a more luxurious model than Schmidt believed they could afford -- as if sharing the expenses of retirement with her husband was somehow unjust to the dead woman. And his daughter's words reveal that her mother had been complaining about Schmidt's behavior to her.
He learns that his wife had betrayed him in at least one other way -- she'd had an affair, years before, with his best friend.
And his daughter reveals that she basically wants his financial support, but does not want further intimacy.
He meets her fiancé's family, and they confirm his worst suspicions. They are vulgar, squabbling -- and poor. They constantly bring up the subject of money -- his -- always with a hand held out for some of it, either for dodgey investment or obligations they presume are his. Director Alexander Payne elicited brilliant performances from Bates and the other actors who played this dysfunctional family's members.
Then he makes a social blunder, mistaking a compassionate woman's words as sexually inviting. Her shocked reaction sends him into panicky flight!
And it is at this point that he receives a letter from a nun who works at the African charity to which he contributes. The child Ndugu can't read or write, so she's writing on his behalf to inform Schultz that the young boy wishes him well.
(I can't avoid an aside at this point -- in 'real life', what on earth would this nun have thought of Schmidt's letters to a little child, discussing matters such as his status in an insurance company, marital fidelity, 'trailer-trash' in-laws, and so forth? Surely a high point of black humor.)
And Schmidt caves. Finally -- and this is his terminal failure -- he is touched by Ndugu's words of gratitude and concern -- or by the conventional words of the nun -- and experiences what -- for him -- is an epiphany. He will do the 'right thing'. He will do his duty. He attends the wedding, says all the right things as the bride's father, and then returns to Omaha, to await the end of his days.
Film Noir, indeed! But I thought it was great. One gets sick of sentimentality.
About Schmidt
Bursting the bubble on the American dream, and finding it's not so bad.
An old man walks into a dark, inert house and stands over his desk as if wondering what he will do next. His wife has died, his daughter married, and his job has given him the standard "gold watch" for his retirement and all but forced him out so younger blood can move in with vulture-like precision and take over. This is the life of Warren Schmidt, a tired, quiet and suppressed man who is discovering that his whole life has been little more than busy-work. Ultimately, he has discovered that nothing he worked so hard for in his life has made him the least bit happy or content and now...
...and now he stands over that desk staring at mail. There before his glance is one letter addressed to him from Africa. He opens it up, begins reading, and finally, from the depths of his soul, he lets out a tear-filled smile.
This is the story of Schmidt, an odd, funny tale about a man who's lived a blind, predictable life and has found he is no longer content. He wants something more, but doesn't know what it is. In the end, as Schmidt discovers, you will see that happiness is often times found in simplicity.
4.5 out of 5
About Schmidt
Please choose a different product. Leave now while you still can.
Dull, absolutely dull.
The plot is stagnant, and this movie is truly a fall of a likable actor.
Not sure how does jack nicholson go from being the joker (the only time the joker ever looked or acted like a real cool guy), to, well, this.
This movie is about a depressing old man, his boring wife, boring children, and umm boring adopted son.
this is literally the worst movie i've ever seen, that includes friends home made videos, and all of mystery science theater 3000 projects.
this movie fails to make (at least me) the viewer care about any of the people in it.
the lead character is depressing because he is married to a silly and possibly cheating woman, who dies (oops spoiler), his children seem to have little respect for him, no one does, maybe his african adopted son or whatever (he has the best role in this movie, and seems to be the token black guy for this film).
hell even kathy bates couldn't even save this movie.
i tried to like this movie, but i can't. its painful, physically painful to watch this. i try to watch straight through, but then my body starts to hurt, and an irresistible desire to push eject overwhelms me. please dont buy this product. unless you're someone i dislike, then by all means suffer :P. this movie is hell.About Schmidt
|
